arslogo….From the rockin and rollin Gray brothers – the guys who brought you the Hard Rock Show in 1987 through to Vicious Kitten fanzine/records – and most recently, the Rockbrat Blog – comes the Australian Rock Show – Oz Rock’s Loudest and Proudest music podcast !

Big things planned folks – the aim is to spread the word about cool Australian rock n roll

Orianthi - Adelaide Dec 2014

Orianthi – the homecoming queen of shred – under lights – and in the rockbrat lens !

Christmas came early for the lucky few who nabbed a ticket to Orianthi’s hometown gig last Sunday 21st December, cos they witnessed some Australian rock n roll history (nope, I ain’t referring to beau Richie Sambora guesting with her either). See, Ori rarely does solo shows downunder, and this performance was by an artist at the very top of her game.
I saw her at Sydney’s Enmore as part of Sambora’s band back in  February – and although she shined, I really wanted to see her headline – which would give me the chance to see if she’s worthy of  all the accolades. After lengthy flight delays, I finally stand in this sweaty  live venue (Hindmarsh’s Gov) nursing a pint of Coopers and await the arrival of the Queen of Shred. Not being a Crow-Eater, openers –  The Stefan Hauk Band were a complete unknown to me, but I was soon very impressed. This solid three-piece belted out some quality blooze – winning over a room-full of guitar-geeks with a tight set of original tunage. Hauk is a name to file away folks. At around 9:30pm, Miss Orianthi storms the stage – kicking off a sweaty 2 hour set with ‘Heaven In This Hell’ – the title track from her most recent album. ‘What’s It Gonna Be’ from the Believe’ album is up next and it cooks. Was great to see Ori churning tunes out from that record – even ‘Think Like a Man’ with its heavy raunch chorus is played and is well received. Former Eurythmic Dave Stewart produced and co-wrote much of the material off ‘Heaven In This Hell’ – including the infectious ‘Filthy Blues’ – aired tonight to maximum effect – and the army of six-string geeks packed in this venue have smiles a mile wide. By the way, I never got around to reviewing ‘Heaven In This Hell’ but to summarize – it’s littered with catchy, guitar-fuelled tunes and is close to some of her most outstanding work.

Rumours are that next year, there is an album’s worth of material with Sambora to look forward to – but that being said, I ‘still’ do not think we have heard the best of Orianthi and am excited about what she will produce over the next 18 months or so. You can quote me on that too. The Desmond Child co-penned ‘Bad News’ gets cranked – beats me why this was never a radio hit – all the commercial ingredients are there, and is followed by Orianthi welcoming Richie Sambora to the stage. Saw him with Bon Jovi back on 87 and 89 tours and the guy is an amazing talent. His strong vocals were a massive, massive part of his former band’s sound and no matter what you may read or think, he is the real rock n roll deal. He and Ori run through the Nicks/Petty classic ‘Stop Draggin’ My Heart Around’ which was a real surprise. They also blaze through Jovi’s ‘Wanted Dead Or Alive’ which gets the place high – however it was Orianthi I came to see – so dueting on her ‘You Don’t Wanna Know’ – as they’ve done at many shows this year – was much cooler. Incidentally, the band were comprised of guys who she’d played in a covers band with at 15 – which was a nice touch I thought. You gotta admire that about Orianthi – although a world-wide star, she remains unaffected and as humble as ever – qualities which are not often found in that world of fame. Encores were the popular, but seldom-played-live ‘According To You’ and the riff-laden ‘Sex E Bizarre’ – followed by the Coop’s ‘School’s Out’ (with Sambora)  – which was a nice acknowledgement of her former boss, who she’d spent a couple of years on the road with. ‘Voodoo Chile’ closes a very memorable evening – and was the stuff guitar-nerds fantasize about.

In three decades of seeing bands – tonight’s show easily makes my top 10. Yes, Orianthi deserves all the accolades (she was once referred to as a ‘once-in-a-lifetime musician’). She is gifted and can play anything. But be in no doubt, she has rock n roll pulsing through her veins and that for me, is essentially what it’s all about.

menlove_avenue1986It’s that day again – it rolls around once a year – and is the day the music died – well, for millions of us who still care. That bleak day – back in early December of 1980, when that cowardly, chubby little troll – gunned down John Lennon. But as I’ve stated in previous similar posts – it isn’t a time to mourn, but a time to celebrate – a time to embrace and enjoy the mind-blowing music which Lennon left us.  And today – dear readers – we have Dr O’Boogie’s posthumous 1986 album ‘Menlove Avenue’ on the Rockbrat Stereo – and man, it’s gear ! Apparently the record was released ‘under the supervision of Yoko Ono’, but let’s not let that overshadow things, cos overall, there’s some top class tunage here. Recorded from sessions back in 73/74 (‘Walls and Bridges’ and ‘Rock ‘n’ Roll’ albums – recording sessions which from memory Yoko was not actually at as she’d split from John at that time – yet she ‘oversees’ the release of that very material !) – this is the stuff I love – and if you too, dig the music John made with Spector – and the creations which he and his one-time booze-buddy Nilsson made – then this LP is an absolute must have. What are Mr Rockbrat’s choice cuts ? Good questions, but without a doubt ‘Steel And Glass’ comes in first. I have always loved this powerful song (cutting and to the point – ala ‘How Do You Sleep ?’)  and for mine – this tune has that ‘definitive-signature Lennon’ sound all-through it. Long rumored to be penned about his former business manager Allen Klein – this 40 year old track sounds better than anything I will hear on modern radio today. Fact. ‘Nobody Loves You (When You’re Down And Out)’ , which shows Lennon baring his soul for all to see, is another standout. The man was a fucking amazing songwriter – and some of his tunes give me chills. ‘Rock And Roll People’ is another amazing cut, which sounds great played loud – and I advise you to do so or don’t play at all. I once heard a rumor that Lennon gave this tune to Johnny Winter, who in turn recorded it for his ‘John Dawson Winter III’ album. Some claimed that the recently departed Winter even played the blazing guitar on this track – but that’s incorrect Beatle-brains –  the fretwork is actually by the amazing David Spinozza (who also worked with Macca and Ringo). Incidentally, the striking cover-art featured illustrations of John by Andy Warhol. If you are reading this today – call your local radio station and request a Lennon song – better yet, give the gift of John Lennon’s music to a young relative for Christmas. We need to educate the youngsters.

Again, today is not a day for sadness – it’s a day to reflect – a day to rejoice in the music of John Lennon – and ‘Menlove Avenue’ is as good a choice as any. His loss is still felt – but his spirit will live forever. Gonna live forever.

Christmas has arrived early! October 2014 and a new Kevin K album. That’s cause for celebration folks, for the man with the best voice in rock ‘n’ roll has yet again delivered the goods with his new album, ‘Hurt You’. I’ve always loved Kevin’s acoustic tunes. He has an earnest voice suited to the stripped back style, with an infectious appeal that’s hard not to like. Kevin K released a bunch of acoustic tunes back in 2001 with the excellent ‘From The Delta To The Bowery’ CD, and ‘Hurt You’ takes more from the top shelf. As a concept, ‘Hurt You’ is in many ways a tip of the hat to Johnny Thunders’ 1983 solo album ‘Hurt Me’, both in look (cover art) and sound (stripped back acoustic), with many of Kevin’s best known rockers given the acoustic treatment. The album opens up with the pondering ‘Intrusive’, awash with reflection and a catchy chorus, before a pared back version of ‘Joey and Me’ follows. Kevin’s heartfelt tribute to his pet of 15 years, this song continues to move me, and anyone who has ever lost a lifelong pet or someone close will relate. I was listening to this tune a lot in May this year when I had to put our dog of 14 years to sleep. A powerful and evocative song.  Up next is a peeled back version of the now classic tribute tune to Jennifer Love Hewitt,  ‘Jennifer Love’, with the acoustic guitars right up front. Catchy, sing-along classic. Kevin K is a guy who has always worn his heart (and influences) on his sleeve, with nods to Thunders, the Ramones and Stiv Bators evident here. If there’s been a better tribute to the Ramones than KK’s ‘Joey and Dee Dee’, I am yet to hear it.  No Ramones indeed. The take of Thunders’ ‘It’s Not Enough’ is as expected, spot on, whilst his cover of the Lords ‘Russian Roulette’ also hits the bullseye.  There’s an extremely likable renewed version of the Road Vultures ‘Call’ that sounds great to my ears, melodic sensibilities in overdrive. Hot summer days, ice cold beer and the two Road Vultures albums blasting from my speakers. A practice I subscribe to often, and so should you. A pleasant surprise to hear long time KK bass man Ritchie Buzz sing lead vocals on a couple of tunes, with ‘Waitin For You’ a particular highlight. With right hand man Ricky Rat sounding as rock solid as ever on guitar, ‘Hurt You’ is the one album you need in 2014. The CD comes with a remastered bonus – Kevin’s ‘Story Of My Life’ CD , which was originally released back in 2002 on Freddy Lynxx’s Sucksex label. This album still sounds as vital and relevant as it did back then, and kicks major ass. Effectively, you are getting two Kevin K albums for the price of one. Kevin K has a back catalogue of musical riches that is an Aladdin’s cave – so if you ain’t done so already, go forth and discover the enriching music of Kevin K, the one and only rock ‘n’ roller who consistently delivers. Kevin has a DVD out that is a visual bio of his life in rock ‘n’ roll, and a book about his life too called ‘How To Become A Successful Loser‘.  ‘Hurt You’ is another in a long line of great Kevin K albums, and is out now on Realkat Records. Get it today! 10 out of 10.

jvalduriezWe live and breath rock n roll. We know good music when we hear it – and like so many others, are major fans of YouTube guitar-star…Juliette Valduriez.
Consider this: in the space of two short years, Juliette has uploaded fifteen home-made videos. Blazing takes on rock monsters like ‘Bark At The Moon’, ‘Voodoo Chile’, ‘Gimme Shelter’, ‘Comfortably Numb’ among others. In these few, short video clips – this amazingly gifted musician has managed to shred her way into the rock n roll hearts of many – currently 78’000 YouTube subscribers, with over 10 million views in total !

Seemingly out of nowhere – Juliette has managed to etch her Melody Maker- Les Paul-sound over songs we all knew so well – playing with a natural flair, feel and emotion which is breathtaking. Don’t believe me ? Check out her original composition ‘Lost Paradise’ with your ears only – I mean, close your eyes and let the music do the talking via earphones – like in the old pre-video days – because THAT is how you can tell.  You can hear ‘it’ !

Then do the same thing with the Pink Floyd cover ‘Comfortably Numb’. Oh man, her playing gives me goose-bumps !

Yet it is now over two years – August of 2012 – since Juliette’s last video offering – a blazing, Rhoads-like take of Ozzy’s ‘Mr Crowley’ – and then, nothing. (Osbourne could do worse than ask Valduriez to be his touring axe-slinger – dontcha think folks ? Much in the same way that the super-talented Orianthi has energized the Alice Cooper line-up).

A blog post we wrote last year on Juliette gains a lot of traffic, so that has inspired us to attempt to chase down Juliette. A recent comment on her page says it
all “You are amazing. The world is waiting to hear more. It has been so long since your last post. Where are you?” (Ou etes-vous ?).

Although I took French in high school (je m’appelle rockbrat) – I don’t speak it, but recently tried via social media to gain an interview with Juliette nonetheless !
Am disappointed to say that we have heard nothing back. Sure hope she is okay.

Like countless other Juliette Valduriez fans – I really hope that she releases an album. Surely she has gained enough attention for a major or semi-major label to
offer her a deal ! It would be a shame to hear such amazing potential – on a few YouTube clips, never fully realized.

If we hear news from Juliette, Rockbrat subscribers will be the first to know….
Until then, I suggest you subscribe to her channel at JulietteVmusic, and like the rest of us – wait for news !

Just checking in to let you know about a couple of albums that may have slipped unto your radar and are well worthy of your attention. The first is the ‘Metal Cowboy’ album by Ron Keel. Hands down, this is my favourite album of the year. Soaked in southern rockisms, this is outlaw country with heavy rock leanings and many memorable tunes. Ron Keel has found a niche for himself in this field, and in a word, this smokes. ‘Metal Cowboy’ features Frankie from Tesla on guitar, and Paul Shortino of Rough Cutt on a duet. Heavy on the slide guitar, with lotsa down ‘n’ dirty tunes that will stick in your head for days including ‘Wild Forever’, ‘What Would Skynyrd Do’ and ‘My Bad’. On a side note, you should also check out Ron Keel’s radio show. Like thousands of others I  tune in to his weekly radio show and it is one of the best podcasts out there. He spins the metal classics as well as the best of the up and coming hard rock / metal acts. And if you are yet to read it, I wholeheartedly recommend picking up a copy of Ron’s book, ‘Even Keel – Life On The Streets Of Rock n Roll’. I bought Keel’s classic album, ‘The Right To Rock’ back in 1986, followed by ‘Final Frontier’ and then ‘Keel’, so I know a thing or two about his music, yet in my opinion ‘Metal Cowboy’ is far and away the best thing he has ever done. Go to and check it all out. Along with Ian Hunter, Dave Edmunds is the other artist I regret to say I have not seen live yet would dearly love to.  I LOVE Dave Edmunds. I love his stuff with Rockpile. I love ‘Get It’. Who doesn’t love ‘Repeat When Necessary’? ‘After suffering poor health in recent years and moving into semi-retirement and keeping a low profile, Edmunds surprised all the pundits with the quality of his new album, ‘Again’.  What’s more, this is his first album of newly recorded material for two decades. ‘Again’ contains new and self-penned tracks, and some rarely heard Edmunds’ recordings, together presenting a personal collection which is truly consistent. Five brand new tracks, including ‘People Wanna Get High’ and the title track ‘Again’. Two covers ‘Georgia On My Mind’ and ‘Your Song’ which Edmunds lays down in his own fashion,  boasting his Beach Boys harmonies and his Jerry Reed style picking. The best thing I can say about this album is that it sounds like a ‘classic’ Edmunds album from the late 70s, and you could stack it up against any of em, with ‘Chutes and Ladders’, and ‘I Got The Will’ both being personal faves. The Welsh Wizard is back – to show all the youngun’s just how it’s done. There’s life in the old dog yet!


Sixx at the Marquee 1991 – pic: Ross Halfin

Just finished re-reading ‘The Dirt’ – the Mötley Crüe bio from some years back – so sharing a road tale involving Vince, his buddy Sixx, Mick and Tom seems appropriate. I was living in a tiny bedsit in South London back in 1991 – working was obviously not a priority – but rock n roll sure as hell was. Part of the weekly schedule was perusing Kerrang! Magazine – which from memory hit the streets each Wednesday. So as per usual, in early August, I headed to the Noizeagant and purchased the Big K, scanning the gig guide over a pint or two. In one of the news columns there was a blurb which stated something like ‘Livewire rockers The Foreskins play a one-off show at the Marquee August 14’.
Duh – I really shoulda put two and two together – cos I knew that in previous years – around the time of the Monsters Of Rock show, bands on the bill had done undercover Marquee gigs – Kiss in 1988, Poison and also Aerosmith (with a guest appearance from Jimmy Page) the year before. There was also the ‘livewire’ reference. Oh well, this was the pre-internet era so information was where you read it – or in my case, if you mis-read it ! Anyway – I think that the following Wednesday’s issue of Kerrang! – in the week leading up to Donington – they broke the newz and announced the ‘unannounced’ secret gig. Oh shit ! It was that very night ! I downed my pint, screamed ‘take me to the heights tonight’ – then jumped a train which would take me to the top – well, Tottenham Court Road station at least. The legendary Marquee was at that time situated at 105 Charing Cross Road, and I quickly made my way to the venue. Thinking back, I saw a slew of bands there during that summer – and although Cobain and his flannelette were about to sit hard rock and metal on it’s ass – there was still some great rock to be had at that time (the fact that Kerrang! ran a two page article on Nirvana in the aforementioned issue – was telling – and a sign of things to come – eg, the death of 80’s metal).


Motley ‘Four Skins’ Crue play a rare club date –

Obviously, with the show sold-out I had to scalp a ticket – and when I got to the venue at around lunchtime there was already a queue to get inside. Motley never played clubs anymore so to see them in a dive with a few hundred capacity was a thrill. Ticket or no ticket, I joined the queue and started chatting to a couple of young kids who’d travelled by bus the night before to get to this secret Crue show. Think they hailed from Nottingham way. I looked through my cash and remember thinking that 50 quid was my absolute top bargaining price – and haggled with a few scalpers over the next couple of hours – before begrudgingly shelling out a whopping 70 pounds for a ticket in. What’s that worth in today’s money ? $300 or $400 maybe ? For some time later, one of my pommie mates would give me shit about it, so it must’ve been a lot of money ! Whatever – life is short, and it was the Crue in a club for f**k sake – their second club gig in ten years –  and now I had a ticket ! Rock n roll mission accomplished.

There was an Oi! punk outfit who hailed from London’s East End called The 4-Skins – working class punkers who were around in the early 80’s, and recall hearing a press rumour of legal action against the Crue for using their name. The spelling was obviously different – and the Crue had so many lawsuits against them, I doubt they cared. Many old punks would’ve bought tickets for this mid-August gig, thinking there was a 4-Skins re-union occurring. They of course were unaware they were nabbing tickets to the hottest gig in town – and some no doubt made a hefty profit from hungry Crue-heads. Well, on with the show, going on with the show.

Mr Rockbrat at the Marquee 1991

Mr Rockbrat at the Marquee 1991

The wait for the doors to open was made easier by swilling warm Tennent’s and chatting with other rock disciples. At some stage I recall a camera crew filed past – interviewing fans as they walked along. The accents were American so I presume they were Crue crew – and someone told me they were filming for a documentary. I think that some of this Charing Cross Road fan footage – along with the Marquee gig itself – was including in the ‘Anarchy In The UK’ video. Once the doors swung open, a horde of punters headed for the stage area, yet I headed upstairs and got a front row view from up there on the balcony – directly in line with Sixx. This was a memorable gig – one which stands out in a lifetime of loud, sweaty rock shows. There was no opening band – and from memory, after a short intro tape, the band just sauntered on stage and belted into their set – a set which was to be savoured: Wild Side, Shout at the Devil, a thumping Primal Scream, Looks That Kill, Red Hot,…. and to hear early Crue cuts like Live Wire and the encore Piece Of Your Action churned out in a small club was very very cool. A take on the Pistols Anarchy in the U.K.was also aired to maximum response. Personally, apart from Motorhead and The Runaways, I am yet to hear anyone do true justice to a Sex Pistols song – though the Crue’s effort on this night was sizzling. At one point in the show, Sixx, sporting black overalls, stage dived into the crowd – and later I recall he gave me the thumbs up during the set. Say what you want about Tommy Lee, the guy is an incredible drummer – the engine room behind this legendary outfit, and he is always great to watch. Every punter in the club that night was drenched in sweat – and it was pure rock n roll energy. This was a warm-up show but the Crue gave their all, and the evening was one of my rock highlights. I did the bus ride to Donington Park three days later and although the Crue rocked – they were not as potent as they were at the mid-week Marquee gig. The smaller stage of a small, sweaty club was where the Motley magic lay for me. With my ears ringing from Mick Mars’ Marshalls, I walked towards the Tube – ending the motley_crue_marquee_ticketevening a short while later with a Doner and chips. A decade earlier, Motley Crue had reigned supreme on the Sunset Strip club scene – and it was mind-blowing to see them back in a club after conquering the rock world !