Fans of genuine Aussie rock (Angels, Tatts, AC/DC)  take note. BITZER are for you. Forget about Airbourne for one second and the carbon copied style of oz rock they play. They are good at what they do, they nod approvingly to the past, but they lack the legitimacy, the authenticity, that a band like BITZER have to offer. This is Oz rock the way it should be played. It’s fun, it’s loud, proud, and kicks ass.  Bitzer is a new group featuring many familiar faces.  Experienced troupers from the halcyon days of OZ rock, we should be thankful that they are still treading the boards in 2013. Their collective experience includes stints in  Rose Tattoo, Dragon, Ted Mulry Gang, Kevin Borich, Billy Thorpe, The Pete Wells Band, Black Label and the Damn Fine Band to name a few. Bitzer are Steve Edmonds, Lucy Desoto, Steve Mulry, Steve King, Mick O’Shea and Mick Arnold – and they have just released their debut, self titled six track EP that pays tribute to some of this country’s finest hard rock bands and the glory days of Oz pub rock.  The EP opens with a supremely bitchin’, full tilt cover of AC/DC’s classic ‘Riff Raff’, with Steve Edmonds not only shredding on guitar, but belting out a vocal that would bring a smile to Bon’s face.  Edmonds is a great player, and deserves greater recognition. Go check out the Steve Edmonds Band if you get a chance. Next up, Lucy De Soto gives ‘Bad Boy For Love’ the sultry, low down jazz treatment.  I’ve seen Lucy enough times over the years to know that as a jazz/blues singer, she can compete with the best of ‘em, and on ‘Bad Boy’ her vocal is lush and deeply rich, highlighting the stripped back arrangement that gives a fresh, diverse appeal to Ian Rilen’s classic. Speaking of Rilen, Lucy again takes lead vocal on a menacing cover of his tune, ‘401’, originally from the Hell To Pay album ‘Steal It’. I like this a lot.  I also like Black Label a lot – with Steve Mulry out front. Black Label are the best band in Australia – fact (search through this blog for reviews of their recent albums) and in Mulry, they have a front man with a distinctive, strong and appealing voice that reeks of authenticity. Mulry tackles a cover of the Angels ‘Marseilles’ that is as every bit as raw and rockin’ as the original. If you want evidence of his vocal versatility and ability, listen to his super strong delivery on ‘No Times For Games’. The Midnight Oil classic never sounded this good! Listening to this killer tune reminds me that Pete should return to rock ‘n’ roll. MP stands for microphone please! Steve Edmonds again takes lead vocal on a tasty cover of Kevin Borich’s ‘Gonna See My Baby Tonight’ that is catchy with a capital C.  If you wanna taste of the glory days of Oz rock in 2013 –  Bitzer deliver the goods in no uncertain terms. 10 out of 10. At only 9 bucks, you have no excuse for not buying a copy of Oz Rock Six Pack. Buy it here.

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Comments
  1. David says:

    Hey Rockbrat!! Hope all is well. This has nothing to do with this article, but I had something I wanted to ask you. Could you post a new article about Kiss and all of the reasons why they should hang it up? Have you heard Paul’s voice. It’s past horrible. I thought that Kiss fires anyone who can’t cut it? Well why don’t they fire Paul? Well we know the answer to that. Anyway for us old hard lined fans, they are destroying the band’s legacy. Maybe you should suggest to them that they bring the original members back for a 40th anniversary tour and then RETIRE!!!! Well thanks for your time and keep on rockin’…Later.

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